On the Volcano’s Rim

On the Volcano’s Rim

Goldstaub
(Lanzarote)

Hoher blauer Himmel,
weißer Wolkenflug,
ungestüme Winde,
rascher Schattenzug

über rote Halden,
über graue Höhn,
über grüne Matten,
wo schon Sterne stehn:

abertausend Blüten
wie ein Frühlingslied,
Goldstaub, den die Sonne
aus dem Erdreich zieht!

Christina Egan © 2015

—

Gold Dust
(Lanzarote)

Blue sky, ever higher,
white clouds in full flight,
winds wilful and forceful,
swift change of the light

across the red boulders,
across the grey height,
across the green lichen,
where stars tremble bright:

a flourish of flowers
and spring in a splash,
the gold dust the sun
can draw out of the ash!

Christina Egan © 2015

—

Dreaming Dragon
(Lanzarote)

Dew-drops sparkling in all colours
on the mighty coal-black craggy
shoulder of a dreaming dragon:
so these tiny tender flowers
perch on the volcano’s terrace –
fire, earth and wind distilled
to a dainty dotted quilt.

Ceaseless gales and sleepless fire,
ashes fed with salty dew –
ocean and volcano brew
flora’s early, lacy layer,
magic carpet in the air,
in the boundless brown and blue…
Dreams are real. Dreams come true.

Christina Egan © 2015

—

The Hoard
(Lanzarote)

As the mountain bears the flower,
as the giant holds the gem,
so the hour bears my poem:
purple speck on silver stem.

Where a myriad wild flowers
sprout behind the dry-stone wall,
I must gather all my powers
till the heavens hear my call.

Christina Egan © 2015

—

Valentine on the Volcano
(Lanzarote)

We dance on the volcano’s rim –
although its low and sunken side,
although extinct for centuries –
tossed partly by the wild wind’s whim
and partly drunk with liquid life –
suspended over sky-blue seas!
(I found my love above Teguise!)

Christina Egan © 2015

Plain and mountain range with very dark surfaces, rosy clouds in sky

The little volcano. Photograph: Christina Egan © 2015

These lines all sprang from one of the greatest experiences of my life: climbing a little volcano on the isle of Lanzarote, about which you can find a poetic description in German and English at Isle of Bliss / Insel der Seligkeit.

Gold Dust and The Hoard could equally be set in my native Rhön Mountains, also of volcanic origin, but very far inland and much greener.

The three poems in English only may work quite well in an automatic translator. The first two poems are translations of each other, or rather, parallel creations in German and English, where rhythm and rhyme required some changes in wording. It is better to do it this way, since the message is partly conveyed by rhythm and rhyme!

You could leave out the line in brackets to use the poem for a Valentine’s or anniversary card. Copy that line, though, into your list of places to see — both little towns, Teguise and Costa Teguise, because one has got the history and the other one the beach!

This handful of poems almost sums up my work: they describe plants and mountains and the sea; they refer to most basic colours; conclude with thoughts on art and religion and love; and use the beauty of language to capture the beauty of the world.

Meine blaue Mauer

Meine blaue Mauer

Oranges hanging from branches against blue sky

Ich tränke die Terrassenwand
mit Mittelmeeresblau,
denn auch im Goldorangenland
regiert zuweilen Grau.

Ich pflanze einen Ölbaumzweig
in einen irdnen Topf,
als säße ich im Römerreich
mit meinem prallen Pfropf. Fragment of a plate; fine red pottery impressed with two doves

Ich krümele den Thymian,
kaum samengroßes Laub:
Sein wilder Duft steigt himmelan –
Mein südlich süßes Kraut!

Ich leg’ ein rotes Scherbenrund
in meine Marmorhand,
als hielte der gemeine Fund
Jahrtausende gebannt…

Roof terrace with pots of little palm-trees and fence all painted in striking bright blue.Auf meiner Gartenmauer schau’
ich Städte bunt erblühn
und wachsen in das satte Blau
und wanken und verglühn.

Ich ritze meinen Namen stolz
dem Putz ein auf Latein;
ich warte aufs Olivenholz
und schlürfe Purpurwein…

Christina Egan © 2014

Photographs: Morocco
Christina Egan © 2012

Photo of Late Roman shard from Egypt used
with kind permission of the British Museum.

Green Blood

The plant on the window-sill

Lush Christmas cactus on window sill, appearing to reach out to the viewer, with little cacti around.

It is shining, it is glowing,
while the sun is rising high!
It is stretching, it is growing,
so am I, oh, so am I!

It is breathing, it is throbbing,
full of blossom, full of birth!
It is floating, it is bobbing
on the bubble of the earth!

Christina Egan © 2015


Fist-sized cactus with large star-like flower on long firm stalk. Palm-tree shaped red plant in background mirroring the flower's shape; white rose petals on ground mirroring its colour.Die Macht der Königin der Nacht

In der Mittsommermitternacht
ist ein schneeweißer Stern mir erwacht,
eine bebende Blütenblattüte:
Mit heimlicher Königsmacht
hat ein Kaktus den Funken entfacht,
eine klare Trompetenblüte!

Christina Egan © 2013

 


The Tree at the Corner

Shiny reddish bark, paper-thin and frayed, on a straight round tree-trunk.I gather air and light,
I filter drop on drop,
till there is liquid life:
my waving hands’ green blood.

I give you air and shade
with my bright canopy,
till there is solid gold
through age-old alchemy!

Christina Egan © 2015


 

Was der Baum im Winter tut

Bare branches against sunset in mauve and apricot; high mountains along horizon.Mit tausend nackten Zweigen hält der Baum
gleich einem gläsernen gewölbten Kelch
die Gänserufe und den Amselsang,
das gleißend hingegossne letzte Gold
und dann das Pfauenblau der frühen Nacht…
Und jene Stille wie ein Geigenklang.

Christina Egan © 2013

Photographs: Christina Egan © 2013/2014/2016


These lines portray plants as living creatures and active participants in this universe.

The non-descript pot-plant stays in its place, yet it gives and takes, grows and procreates — and presumably enjoys life, particularly in spring.

Around summer solstice, the humble cactus suddenly pushes out an unlikely flower, shaped like a trumpet and dazzling like a star: it has revealed itself as a Queen of the Night!

The everyday tree turns the inanimate elements into living matter; and it brings forth beauty even while that life turns towards death again in autumn.

Around winter solstice, the bare tree perceives the beauty of this earth — sunset and dusk, birdsong and silence — or at least, it forms part of this array for us.

Enamel

Casket covered in gold and inlaid with blue and green enamel figures.

Enamel

Dreams
made of enamel,
panels in peacock plumage,
in crimson and ivory patches,
in frames of gold.

Dreams
poured into pictures,
of wide-eyed faces,
of white-winged boats,
of bursting baskets.

Dreams
fished out of night,
luminous, solid,
age-old, valid,
with veins of gold.

Christina Egan © 2014

Image: Casket from court of Aquitaine (around 1180). With kind permission of the British Museum.  http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_mla/e/enamel_casket.aspx

Auf den Höhen der Rhön

Auf den Höhen der Rhön
(Juli-Haiku)

*

Mit blauen Blumen
bestickt, bläht sich das goldne Korn,
ein Tanzgewand.

*

Auf dem Kiefernduft
gleitet der Habicht dahin
hoch über den Höhn.

*

Die Kuppen im Dunst,
ein perlgrauer Scherenschnitt
vorm Silberhimmel.

*

Im kupfernen Laub
ganze Quader von Jade:
bemooste Felsen.

*

Christina Egan © 2003

—

The Rhön Mountains, part of the Central Uplands of Germany, stand out through their wild and austere beauty. – This series of haiku has just been published in the photo calendar Rhönkalender 2016.

English speakers: This text, titled On the heights of the Rhön, works quite well in a translation software. You can also see two wonderful panoramas of the mountains at the link to the calendar and some more on Wikipedia.

Silhouette of low silver-blue mountain range against silver-blue sky, just like in the poem.

Photograph: “Kegelspiel” by N8mahl at the German language Wikipedia.

Spiritum Sanctum vivificantem

Spiritum Sanctum vivificantem

Die Blume, die den Himmel hält,
zerspellt, wenn es dem Wind gefällt,
in einen Haufen blaues Laub,
in einen Löffel grauen Staub.

In Stundenglas der Glitzersand
versickert wie aus Kinderhand,
und wer zur Nacht noch steht und spricht,
erhebt sich schon am Morgen nicht –

bis jener Geist, der Leben haucht,
vom höchsten Himmel fauchend taucht,
rafft Staub zu Staub, fügt Bein zu Bein
und ruft: Es werde! Ihr sollt sein!

Christina Egan © 2015

—

The title is a Latin quote from the
Christian Creed (version of 381 AD):
‘the Holy Spirit, Giver of Life’.

ostseeschlaflied (Darß)

ostseeschlaflied
(Darß)

hinaus tritt aus dem hohen wald und schau
wie sand auf see und see auf himmel trifft
wie sich am abend spiegelklares blau
in unverhofftes violett verwischt
wie sich der wellen und der wolken grau
in hundert regenbogenschatten bricht
zurück nun tauche in die dunkle au
die nacht ist nah doch ewig ist das licht

Christina Egan © 2015

—

The Darß (Darss) is a majestic primeval
island at the very edge of Germany.

You can read an English poem about
the Darss at Midsummernight Far North
and more German ones at Schöpfung (Darß).

O Heimatland aus Stein und Licht

O Heimatland aus Stein und Licht

O Heimatland aus Stein und Licht,
o Silberstamm und Silberblatt,
o Flammenhimmel, Flammenstrand,
o weiße Mauer, weiße Stadt
und blendendblaue ruhige Bucht!
Mein steiles, karges, klares Land –
o sonnensatte Lebenslust!

Christina Egan © 2015

—

Ehlers_Kollwitz

The poem was inspired by this woodcut, “Elba –
Land der Esel”
by Ottilie Ehlers-Kollwitz (1955).
For a larger view click here: Galerie Spermann.