Der Erde Auge / Dragon Island

Der Erde Auge
(Kaali, Estland)

Hier ist der Wald nur Wimpernkranz
um jadegrünen Augenglanz,
der immer träumt
und immer wacht,
der nimmer weint
und nimmer lacht.

Der Erde Auge schaut hinauf
in tausendfachen Sternenlauf:
Ein schwarzer Stein
mit Feuerschweif
schlug donnernd ein
und schuf den Teich.

Und um den runden Kraterrand
gehn hundert Menschen still gebannt:,
Sie schlendern her
zu eitlem Schaun
und schreiten schwer
in grünem Traum.

Berührt vom fernen Sternenschlag
sind tausend Jahre wie ein Tag.
Die Sonne fülllt
das Himmelsrund,
und urgrün quillt
der Augengrund.

Christina Egan © 2016


Dragon Isle
(Iceland)

Dark is the mid-morning sky,
shaded the treeless land,
granite the road of the sea,
burnt the abandoned strand.

Dragons looming like hills
have stirred from a century’s daze
to spew some sparks and some ash
before they set glaciers ablaze.

Christina Egan © 2010


The first poem, ‘The Earth’s Eye’ describes a startlingly green and perfectly circular lake in Estonia — a timeless, mythical place, caused by a meteorite crashing several thousand years ago, but within human memory.

The second poem was inspired by the news of a volcanic eruption on Iceland. Mythical creatures take on real life: not that hills look like dragons, no, dragons disguise themselves as hills…

I have also written a sonnet about the twin crater lakes of Sete Cidades (Azores). and a number of poems about the volcanoes of Lanzarote (Canaries).

Auf dem Purpurteppich / Royal Purple Rug

Passionflower with bee, colours inverted to create psychedelic purple structure.Auf dem Purpurteppich der Musik

Auf dem Purpurteppich der Musik,
dichtbepflanzt mit immergoldnen Ranken
und mit himmelfarbner Saat bestickt,
flieg’ ich ohne Angst und ohne Schranken!

Denn der Purpurteppich der Musik
trägt uns mächtiger als die Gedanken
über Wogen, Wolken und zurück,
löst uns Leib wie Geist von allen Banden…

Christina Egan © 2014

 

Passionflower, colours inverted to psychedelic purple tones.On the Royal Purple Rug of Music

On the royal purple rug of music,
thick with tendrils, ever-golden, high,
strewn with seeds the colour of the sky,
limitlessly, fearlessly, I fly!

For the royal purple rug of music
raises us, more powerful than thought,
carries us away, aloft, abroad,
frees both mind and body, frail and fraught…

Christina Egan © 2017


You can find another poem about the incomparable power of music at Quest / Suche  (in English and German). Music is not disembodied; it is palpable and all-pervading.

When I described music as a flying carpet, I was thinking of the deep red of oriental rugs, which in German is called ‘purple’; but the English idea of a lilac ‘purple’ is also very appropriate for music.

Photographs: Passionflower with bee; Passionflower with fruit; colours inverted. Christina Egan © 2016.

Bus Stop Haiku

Bus Stop Haiku

The full moon captured
in a cage of stone and wood:
a white paper lamp.

*

Wilting lavender
on the window sill, turning
into bursts of scent.

*

Brick wall and bus stop:
in between, seven nations
squeezing together.

*

Christina Egan © 2016


An ancient art form capturing mundane moments from the big city: In Wood Green, London, a crowd from seven nations is squeezing onto the red buses. I looked out for beauty at the bus stop and found it.

The full moon glimpsed turns out to be a bedroom lamp. The luxurious lavender grows in a little tin pot. The third autumn haiku does not even have any image from nature: just a brick wall…

Sonnenuhrzeiger / Sundial Garden

Sonnenuhrzeiger

Die Sonne gleißt auf grüner Flur:
Ein jeder wird zur Sonnenuhr.
Der Schattenmensch liegt lang im Gras,
der Abend schrumpft in gleichem Maß.

Die hingestreute Sternenzier
ist mürbes Laub wie Packpapier.
Die weißen Blumen tanzen stumm
um einen dicken Stamm herum.

O trink das Licht mit Haut und Haar:
Noch ist der Himmel hoch und klar!
O trink das Licht mit Aug und Sinn:
Es liegt die Kraft des Alls darin.

Christina Egan © 2016

Top of wall covered with lichen and tree with patchy bark, mirroring each other.

Sundial Garden

The sun will gain ground,
conquer inches of lichen,
of leaves and of lawn.
Across the square garden creeps
the shade of the steep gable.

Christina Egan © 2005


In these poems, a whole gardens turns into a sundial: in the first one, each person in the park is a sundial hand, and in the second, a house with a pointed roof fulfils this function, casting its shadow over a north-facing yard.

The first poem is set in late summer or autumn and in the late afternoon or evening, the second one in late winter or spring and possibly in the morning. The yearly and daily descent of the light is as inevitable as its subsequent rise.

Photograph: Christina Egan © 2016.

A Window will be Thrust Open

A Window will be Thrust Open

A window will be thrust open
where you forgot there was one,
a glow as of noon will be thrown
over your working hands, over your tired face.

You will look into the mirror
and find upon yourself the gaze of an absent one,
you will look into the eyes of a stranger
and find there your face as if steeped in sunset.

halkett_1938_ohnetitelYou will run down the road
to overtake your shadow,
you will push through all your doubts
to hold that hand, to clasp it tight.

Christina Egan ©2003

No title. René Halkett (1938).
Image with kind permission
of Galerie Klaus Spermann.

Text "A Window will be Thrust Open", 1st stanza, typed up in the shape of a window with a ray of sunshine coming in.



Visual poetry: 1st stanza of A Window will be Thrust Open. Christina Egan ©2024 (Text ©2003). (Click on the image to enlarge it).

My Pack of Cards

            My Pack of Cards

My pack of cards, when it was new,
was green and yellow, red and blue:
            from grass and leaves
            to golden sheaves,
            from glowing grapes
            to frosty flakes!
The leaves peeked out, unfurled, and grew,
flared up, fell off, when they were due.
            The fruits were round,
            the ice was sound.
            My year was clear,
            my joy was sheer.
My pack of cards is worn and torn –
my world is pale, and I’m forlorn.

            Christina Egan © 2016

Buds and fresh leaves on top of shoots above a parkIn children’s picture books, the four seasons are sometimes painted in four basic colours; everything is in its place, everything is perfect. Of course, it has never been like this: the weather is always unpredictable, particularly north of the Alps.

However, at the place where I grew up — Central Europe — the seasons were more clearly marked and more stable than on the British Isles. I also believe they were more regular: they seem confused and shifted just now. It is disorientating and worrying…

You can find an impression of undefinable weather at Cimmerian Summer whether it is due to the British climate or to global changes, I do not know.

The poem also expresses nostalgia for childhood, when everything on earth seems in its place. It was inspired by children’s picture books, which often allocate four basic colours to the four seasons.

Photograph: Schloßpark Fulda. Christina Egan © 2014.

Cimmerian Summer

Cimmerian Summer

This lifeless gloom: is it the dusk?
This pale white disc: is it the moon?
Is this a mild day in November?
No: in the land of ceaseless mist
this is the sun; the afternoon;
the lightless first day of September.

Christina Egan © 2015


“ἔνθα δὲ Κιμμερίων ἀνδρῶν δῆμός τε πόλις τε,
ἠέρι καὶ νεφέλῃ κεκαλυμμένοι.”

There are the land and city of the Cimmerians,
wrapped in mist and cloud.”  

Homer, Odyssey, 11:14-15


“Britain is set in the Sea of Darkness.
It is a considerable island. This country is most fertile,
its inhabitants brave, active and enterprising….
but all is in the grip of perpetual winter.”

Muhammad al-Idrisi of Sicily, ca. 1154


Homer never ceases to inspire us. Incidentally, I saw a retelling of the Odyssey  last night, at a London playhouse, or rather, amphitheatre! (On this first day of September, the weather is in fact glorious.)

The memory of four clearly marked seasons, full of bright leaves and fruits, and the sorrow about the apparent confusion of the climate are depicted in My Pack of Cards.

Sunface

Sunface

Orange clouds on blue sky, mirrored in windows of terraced houses to the left, with silhouettes of large trees to the right.

I smile at the sunface
and soak up the rain
I gather a garland
and wait for the grain

I forage the forest
and furrow the earth
I gaze at the sunset
and wait for the bird

I follow the swallow
its call and its course
it cries and it circles
it sinks and it soars

Christina Egan © 2016

Photograph: Christina Egan © 2014.

This was the tree the bird sang from so sweetly… It has since been felled, so that my garden gets much more light and thrives; so the tree behind it, the bird’s new home! 

 

 

Three Stars / Drei Sterne

Three Stars

Three stars in the sky…
Three lines only to tell you
all my hopes for us.

*

Sneeze

Your sweet face – a sneeze –
as sudden and explosive
as your sweet haiku.

Christina Egan © 2013

Stamp with bright artistic impression of spaceship flying between planets and stars.

Drei Sterne

Drei Sterne am Himmel…
Drei Zeilen für dich, für
all meine Hoffnung.

*

Nieser

Dein liebes Gesicht
– ein Nieser – plötzlich, heftig
,
wie deine Haikus!

Christina Egan © 2016


A haiku is a Japanese poetic form; each poem has only three lines and seventeen syllables, which amounts sometimes to only a dozen words, even with a title. Yet you can say a lot in three lines… The word game is more difficult in German than in English, since the words are longer; translation can be a challenge.

A traditional haiku starts with an image from nature indicating the season; you will see on my haiku pages that I largely follow this rule. These here are different: one is simply romantic and one humorous, and both are about reading and hearing haiku!


 

Illustration: Stamp of 1963. (Scanned by Darjac) [Public domain], via Wikimedia Commons.

Minerva’s Voyage

Minerva’s Voyage

I.

Minerva by Botticelli

Her hair is the offspring of river and fire,
her robe has been woven from flowers and wind.
Her foot cannot rest and her flesh cannot tire,
her arm is in flow and her eye will inspire
a voyage for wisdom with one  fleeting glint.

II.

Minerva on the Academy of Athens

She dived like a hawk from her shadowless sphere,
the shield on her arm like the sun in the west –
She looms on the roof with her helmet and spear
to capture the lightning, conduct it down here
and spark our restless and glittering quest.

Christina Egan © 2016

Delicate, pale, portrait of the goddess as a young woman in armour.Minerva is the Roman goddess of wisdom and knowledge, arts and applied arts; she came to be identified with the Greek goddess Athena, patron of Athens.

The two poems were  inspired by the two artworks mentioned, as well as a temple on the Agora of Athens dedicated to her as patron of artists and artisans.

Illustration: Minerva by Sandro Botticelli (ca. 1482-83), via Wikimedia Commons (Public Domain).