Ashen Land (For Syria)

Ashen Land
(For Syria)

The only offspring left calls from the eaves.
Some houses have a hundred hollow wounds,
and hamlets of a dozen centuries
surrender to contending winds their rooms.

The olive-trees stretch out their silver leaves
like angels’ feathers in a cry for peace.
Where is the comfort for a bird that grieves,
the peace for ashen land? Is it beneath?

It is beneath the nettles and the shards,
beneath the venom seeped into the field;
it is above the silver heaps of stars,
seed of unimaginable yield.

Christina Egan © 2016

Olive grove, trunks and tree-tops silvery grey, like ashes.Photograph: ‘Olivenbäume in Umbrien’ by Adrian Michael.

I found this marvellous illustration on Wikimedia Commons long after I wrote the poem. I had not even thought of the silver bark and leaves resembling ashes…

In the past few years, millions of Syrians have lost their homes and possessions, or their jobs or studies, or their health or their limbs, or their loved ones or their own lives. The national liberation movement has turned into an apparently bottomless civil war, a literally insane religious war, and a vicarious war of outside powers. This conflict will change the face of the Near East and the face of Europe. Meanwhile, the suffering continues.

Let us pray for peace in Syria. All together.

Clustering

Clustering

The world has gone weird:
When you switch the screen on,
any time, the news
contain news, the speeches
convey meaning, and the people
speak into the cameras as if
there were a point in speaking.
Can you see their smiles form dimples?

Like fog used to fill the roads,
so rumours waft and can’t be dispelled
that some representatives of the people
represent the people.
Like flocks of birds used to cover the squares,
so citizens cluster and can’t be dispersed,
until they witness those colours rising
which they have proudly painted themselves.

 Christina Egan © 2015

The Man is Not in his Seat

The Man is Not in his Seat

The coffee is still on the table,
the table is still in the street,
the seat is still in the corner:
but the man is not in his seat.

Perhaps he has gone to his office,
perhaps he has gone to the park;
perhaps he’ll be back in a minute,
perhaps he’ll be back before dark.

I think he is due in the morning,
I think he is due every day;
I think we have all of us seen him
whenever the bus passed this way.

The coffee dries out on the table,
the table is still in the street,
the seat is still in the corner:
but the man is not in his seat.

A friend may have called at the café
and lead him away with a smile;
or a man in a car brought a message,
so he said: I might be a while.

Or else he will never return here
to raise his glass to the street:
The stranger who passed was an angel
to take him away from his seat.

Christina Egan © 2015

In memoriam Erdogan Güzel
Murdered in the street in Wood Green,
London, England, on 10.7.2015
Requiescat in pace

Outrage

Outrage

Every day now, someone
amongst the suits and ties
gets up and
says something.

Something
simple,
sensible,
and inconceivable.

Something
obvious,
overdue,
and improbable.

Someone sensible,
someone overdue,
someone outrageously
decent.

People lift up their heads and
listen as if
life
were meant to grow and thrive.

Christina Egan © 2015

For Jeremy Corbyn MP

“Jeremy Corbyn does not need to be theatrical because he is charismatic.

He makes a few simple statements and a thousand people jump off their sofas. It is not his policies that got him to the top but his personality!”

Christina Egan

Letter to the Editor, Evening Standard (London), 22. September 2015

(Please note I had written: “not his policies alone”!)