The Sun God’s Roads

The Sun God’s Roads

I saw them emerging from forest and fog,
the roads of the fiery barbarian god,
I saw them, I walked them, I measured them – but
I dragged on their slopes and I slipped in their mud.

They followed the creek, they followed the crest,
they followed the sun all the way to the west,
they lead to the market, they lead to the fort,
they lead all the way to the northernmost port.

My roads ran across their fords and their fields,
as smooth as a line of square Roman shields,
as straight as the flight of a sure Roman lance,
as hard as its tip, in a steady advance.

Some sauntering highways are right underneath
while others meander through meadow and heath.
I took what I needed, I bridged all the gaps,
I dropped all the rest off the Caesar’s clear maps.

Minerva brought wisdom and Mars announced peace:
we drained a few swamps and we parcelled the leas,
we left the round huts by the winding wet way
and stamped our rectangles into the clay.

My map showed a ragged and rugged old isle
with gridlines unrolling now mile after mile.
I marked it as Jove had commanded us – but
I still muse about the strange tracks in the mud…

Christina Egan ©2019

On this blog, the year always starts with a Roman road. Here, a civil engineer from antiquity reports how his straight highways and rectangular buildings cut right across the uneven and muddy terrain, winding paths, and round buildings of the native Britons. You can still observe this striking phenomenon in Stonehenge, Silchester, and many other places.

We may assume that enthusiasm for this turn of civilisation was not universal. The Celts thought, for instance, that it was silly to worship gods in temples, as if in boxes, instead of in nature. As regards the superb new roads, they were immensely useful for the transport of goods and ideas, but served first of all for the movement of the legions and of metals mined in Britain.

Stadt im Tal

Stadt im Tal

Sprig with tiny flowers in a deep warm yellowGleich einer Ginsterblüte flimmert,
da jetzt die Sonne steigt und sprüht,
die ganze Stadt, aus Glanz gezimmert,
sacht in die Hügel eingefügt…

Gleich einer Apfelblüte leuchtet,
da jetzt das Leben wieder siegt,
das ganze Tal, vom Tau befeuchtet,
ein Orgelklang, ein Jubellied!

Christina Egan © 2015

Dyer’s broom (Genista tinctoria).
Photograph by Christian Fischer.


This poem has recently been published in regional paper Marktkorb (circulation over 100,000).

The ‘Town in the Valley’  is also mentioned in my lyrics Ich steh’ im Felde wie der Lindenbaum’  : ‘Ich schaue auf die Stadt im Tal / mit Erdensternen ohne Zahl…’