The Sun God’s Roads

The Sun God’s Roads

I saw them emerging from forest and fog,
the roads of the fiery barbarian god,
I saw them, I walked them, I measured them – but
I dragged on their slopes and I slipped in their mud.

They followed the creek, they followed the crest,
they followed the sun all the way to the west,
they lead to the market, they lead to the fort,
they lead all the way to the northernmost port.

My roads ran across their fords and their fields,
as smooth as a line of square Roman shields,
as straight as the flight of a sure Roman lance,
as hard as its tip, in a steady advance.

Some sauntering highways are right underneath
while others meander through meadow and heath.
I took what I needed, I bridged all the gaps,
I dropped all the rest off the Caesar’s clear maps.

Minerva brought wisdom and Mars announced peace:
we drained a few swamps and we parcelled the leas,
we left the round huts by the winding wet way
and stamped our rectangles into the clay.

My map showed a ragged and rugged old isle
with gridlines unrolling now mile after mile.
I marked it as Jove had commanded us – but
I still muse about the strange tracks in the mud…

Christina Egan ©2019

On this blog, the year always starts with a Roman road. Here, a civil engineer from antiquity reports how his straight highways and rectangular buildings cut right across the uneven and muddy terrain, winding paths, and round buildings of the native Britons. You can still observe this striking phenomenon in Stonehenge, Silchester, and many other places.

We may assume that enthusiasm for this turn of civilisation was not universal. The Celts thought, for instance, that it was silly to worship gods in temples, as if in boxes, instead of in nature. As regards the superb new roads, they were immensely useful for the transport of goods and ideas, but served first of all for the movement of the legions and of metals mined in Britain.

Tree Haiku (Bloomsbury)

The Bricklayers

The Bricklayers

Overcast (I took the bus)

Overcast

I did not read the book
I took
I did not cast a glance
not once
I took the bus and dreamt
no end
I wrote some verse of love
and stuff
I dreamt that in the street
we’d meet
and summer would return
and burn
and that would be the date
from fate:
the sun and you and me
all three

Christina Egan ©2023

There is evidently a lot of waiting for sunshine in northern latitudes, as in Warten ist der Winter and Hinter dem Olivenbaum

This playful verse from a London double-decker bus was actually written in mid-August, when it should be bright and hot everywhere; yet the weather has always been unpredictable and is now turning seriously unstable. In this poem, the summer is not returning after the period of winter but after a long, dull, cool break between early and late heatwaves.

O Land of Ice and Fire

The Keystone of the Sky

Past Poppies / Zimtsterne

In the Cool of the Evening

In the Cool of the Evening

In the cool of the evening, silver-lit,
when the tide of noise has receded at last,
God walks along the coal-black beach
to listen out for the whispering waves,
to listen out for prayers and sighs,
to look for golden gems in the sand,
to look for purity in the hearts.

Christina Egan © 2016

Necklace of matt black and translucent green beads.

These lines were inspired by the pristine deep-black beaches of Lanzarote, where you can find lava and, in some rare places, tiny shards of olivine.

The strange idea that God walks on earth in the evening to observe humans stems from the story of Adam and Eve, when they are still in paradise but have lost their purity of heart (Genesis 3,8).

Vigil (Du bist die Hand / Your Distant Hand)

Vigil (V)

Du bist die Hand, die mein Gebetbuch hält
in aller Frühe, wenn die laute Welt
noch schlummert wie ein müdgetobtes Kind
und wir die Stimme ihrer Träume sind.
Wir sind der Psalm, der aus der Erde steigt,
wenn Nachtwind noch die Wiesenblumen neigt,
das erste Wechsellied im Weizenfeld…
Du bist die Hand, die mein Gebetbuch hält.

Christina Egan ©1990

Huge liturgical book with very large writing and music, richly illuminated

Vigil (V)

At dawn, the noisy and unruly world,
just like a tired child, has not yet stirred.
We are the voice of all its dreams: we stand,
my hymnal lifted by your distant hand.
We are the psalm arising from the earth
while night wind is still bending blooming herbs.
We are the chant across the ripening land…
My hymnal lifted by your distant hand.

Christina Egan ©2018

These lines describe the early-morning prayer of Christian monks and nuns: standing up and bowing, chanting and responding to each other… They also imagine an invisible connection between two of them — good friends perhaps, close relatives, or former lovers — who feel that they are praying together across the distance between them.

Photograph: By ignis – Own work, CC BY-SA 3.0.

Sudden Summer / Happiness Beyond

Sudden Summer
(Not a Word Cloud)

Is this moon new or young,
a sliver or a crescent, silver
or golden in the deep blue,
the newly deep sky, is it
striking or dazzling or
mesmerising?

Is this a late spring, belated
and all the more welcome,
bursting with life, with green,
bright green, saturated
with rain and sunshine,
saturated with colour and
heat, heat unfamiliar and
all the more welcome, or is it
sudden summer?

Is this life at last, is this joy,
is this joy of life, is it zest,
is it just new life-force or is it
happiness or elation or
bliss?

Reality, as it laps up against
the shores of your eyes and 
your ears and your nose, reality
as it washes over the leas
of your skin and seeps
beneath, cannot be captured in
words, not even in verse: reality,
so dense it feels like a dream,
is not a dream cloud nor a
word cloud.

Although this poem would make
a good one, with the message of
sudden summer sounding out
like birdcall, flooded with light
and colour, steeped in joy,
as if words were written from life
and for life, as if words were part
of life, of the wide earth and
the deep sky and the reality
beyond, of the ever-flowing
life-force.

Christina Egan ©2024

Happiness Beyond
(Word Cloud)

Your life is a green reality,
it reads in large green letters,
and newly young;
the sky is golden at last,
it states in fine golden letters,
and saturated with joy;
eyes and ears are bursting
with wide bright light,
it adds in silvery white;
and at the edge there is
happiness beyond colour
on deep-blue ground.

These are welcome words,
sudden and possibly deep,
a mesmerising message
from slivers of verse in your ears,
from the new dream poem,
from the word cloud
of Sudden summer:
Your life is a green reality
saturated with joy
under the newly young moon.

Christina Egan ©2024

Inspired by the word cloud of the poem Sudden summer and written on the same day.