Die Steine sprechen

Die Steine sprechen

Swallowtail butterfly, cream-coloured with graceful pattern in sky-blue and burnt-orange, on a flower in burnt-orange.Die Steine künden von der jungen Braut
im dunklen buntbestickten Sonntagsstaat,
die strahlend auf die alte Schwelle trat,
und von dem Schwalbenschwanz im hohen Kraut.
Die Höfe sind auf karges Land gebaut,
wo zwischen Weizenfeld und Waldesrand
schon vor Jahrtausenden ein Flecken stand.
Die Steine sprechen, und sie sprechen laut.
Die Kannen klappern, und der Wagen knarrt,
die Gänse schnattern, und das Zugpferd scharrt.
Mit Engelsstimme schallt die Glocke hin.
Das Spinnrad schnurrt; am Brunnen seufzt der Wind;
am Feuer schreit der Bäuerin zehntes Kind.
Die Steine sprechen; hörst du aber hin?

Christina Egan © 2017


Bullfinch couple on wintry twigs; deep-blue tails and heads, the male with a bright-red breast.

 

This sonnet is dedicated to the farmers Maria Gutermuth and Paul Jordan, whose tenth child (not the last one) was my grandmother. I can only imagine this type of peasant life from books and pictures, but my father witnessed the very last of it.

In my great-grandparents’ village Dalherda in the Rhön mountains, where harsh conditions of soil and weather prevented prosperity through agriculture, the inhabitants had excelled at two particular crafts, carving wooden utensils and breeding bullfinches as songbirds.


Photographs: Swallowtail Butterfly (German name: ‘Schwalbenschwanz’). By Werner Pichler (Vom Autor) [CC BY-SA 3.0], via Wikimedia Commons (Featured picture). – Bullfinch couple (German name: ‘Dompfaff’ or ‘Blutfink’.) By Ἀστερίσκος (Own work) [CC BY-SA 4.0], via Wikimedia Commons.

Rhymes / Known

Rhymes

No, our names don’t rhyme well,
we come from far-off lands –
but neither rhyme nor reason
can censor our hands,

those hands that seem created
to grasp the chance, to grasp
each other, tight and quiet,
as if two souls could clasp.

Yes, hills from hills are distant
and can’t wed as they would,
they cannot warp and wander –
but people could and should.

Christina Egan © 2004

Silhouette of low silver-blue mountain range against silver-blue sky, just like in the poem.

Known

I’ve smelt the rarest rose of snow,
I’ve tasted of the sun’s last glow.

I’ve met you on a cloud-veiled ridge,
perhaps the planet’s highest bridge.

I’d looked out long. And now I’ve seen.
I’ve once been loved. I’ve known. I’ve been.

Christina Egan © 2004


The thought that people, unlike mountains, can get to each other across distances, goes back to a Greek proverb.

Photograph: “Kegelspiel” by N8mahl at the German language Wikipedia. Licensed under CC BY-SA 3.0 via Commons.

Augustfest

Augustfest

August.
Klangvolles,
sattgoldnes Wort,
beinah orangerot.

Abend.
Wort voll blauer Ruhe,
verborgener Kraft
und süßer Verheißung.

Norden.
Ein weites graues Feld
im Winter… im Sommer aber
ein ganz grüner Horizont.

Augustabend im Norden.
Ein Fest ist uns bereitet,
herrlich wie ein Hochzeitstag.
Schau dich doch um.

Christina Egan © 2016


Some more thoughts on the north of the planet… In winter all is grey, sky and land and water alike; but in summer, the world shines in blue and green and golden. This is before you look at the flowers and fruits, and the places and things whose colours show again, and the people who have come outdoors again. Winter lasts six months in Southern Europe, like in the myth of Persephone, but seven months in Central Europe and perhaps nine in Northern Europe… All the more do we enjoy the glories of summer!

This is one of many poems I wrote for my wedding anniversaries in August; I hope plenty of other people will be able to use it for their engagements, weddings, and anniversaries! The little poem I read at my wedding is simply called I Love You.

Epithalamium (A Hundred Snowflakes)

Epithalamium

A hundred snowflakes melting in your hair,
and every one a different ornament;
a hundred swallows weaving in the air,
each on its own encrypted message bent;
a thousand roses, beauty pure and bare,
each goblet filled with subtly varied scent;
a thousand leaves consumed in festive flare,
each spelling out its special testament…
So how much more are you – a human face –
unheard-of and unequalled in your blend?
I chose you from a thousand for your grace,
fulfilling and surpassing what I dreamt.
So by your side I take today my place,
while unnamed blessings blossom and descend.

Christina Egan © 2014

An epithalamium is a wedding song; a Continental sonnet
has 8 + 6 lines. Here, the first eight lines present images
from the four seasons; the last six lines state that humans are
more complex and individual than any natural phenomenon.

Some German poems on the uniqueness of each person can be
found at
Einer von Millionen and Hieroglyphe.

Gingerbread Man

Gingerbread Man

God made you of some gingerbread
which over time intensifies:
so that with every year, your breath
will taste of hotter, sweeter spice!

Christina Egan © 2014

We Married on the Ferris-Wheel

Vienna quivered in the heat
for our furtive feast:
we married on the ferris-wheel
(we kissed on it, at least).

The palaces shone yellow-white
like lemon cakes with glaze:
we married in the royal grounds
(we kissed within a maze).

That summer rolled into a ball
and down the hill of time –
Vienna basks in splendour still,
my bridegroom still is mine!

Christina Egan © 2014

String of Pearls

Your presence makes this globe that whirls
the best of all existing worlds —
your kisses make this blob a pearl
from which a string of worlds unfurls!

Christina Egan © 2015

Asteroid

He inhabits his own tiny planet,
a fragment of rock, you might say;
his orbit seems steep and erratic
and often immensely away.

Yet, what you can’t see from your garret
nor find in your smart telescopes:
it’s two of them snug on that comet
that’s studded with roses and oaks.

Christina Egan © 2010