In the Cool of the Evening

In the Cool of the Evening

In the cool of the evening, silver-lit,
when the tide of noise has receded at last,
God walks along the coal-black beach
to listen out for the whispering waves,
to listen out for prayers and sighs,
to look for golden gems in the sand,
to look for purity in the hearts.

Christina Egan © 2016

Necklace of matt black and translucent green beads.

These lines were inspired by the pristine deep-black beaches of Lanzarote, where you can find lava and, in some rare places, tiny shards of olivine.

The strange idea that God walks on earth in the evening to observe humans stems from the story of Adam and Eve, when they are still in paradise but have lost their purity of heart (Genesis 3,8).

Vision (In den Augen den Mittag)

Vision

Woman leaning on a sandstone wall, looking out on green fields and blue ocean, her blond hair lifted by the wind.In den Augen den Mittag,
den Mittelmeermittag –
In den Haaren die Nacht,
braunsamtene Nacht –

In den Augen die Sonne,
im Wellenspiel glitzernd –
In den Haaren den Wind,
wildseidenen Wind –

Christina Egan © 2014

A luminous winter day on a Mediterranean island… or rather, the beginning of a lush spring as early as February. – Photograph: Christina Egan © 2018.

Die blauen Fernen

Die blauen Fernen

Fernab der Meere und der mächtgen Ströme
liegt meine Hügelheimat hingebreitet;
mit jeder Wendung, Steigung, die ich nehme,
wird mir der Blick auf neue Höhn geweitet.

Was braucht es Meere, wenn uns Wald und Wiesen
und Feld und Felsen und die blauen Fernen
wie Wellenberge, Wellentäler fließen,
den Schritt beflügeln und das Herz erwärmen?

Die Luft ist rein, mit Duft und Kraft geladen,
die Glieder und den Geist mir zu verjüngen;
und winters werden Schnee und Nebelschwaden
des Eismeers Zauber in die Berge bringen.

Christina Egan © 2016


One stanza of this poem is printed in the Rhönkalender 2018 with a photo from that part of the Central German Highlands; the whole poem has been published in the Münsterschwarzacher Bildkalender 2019.

Jetzt und jenseits / Now and Beyond

Jetzt und jenseits

In der Stille, in der Helle,
wo die Kerze steht und blüht
oder Welle über Welle,
Wolke über Wolke zieht,

in der Stille, in der Hülle
des Gewölbes oder Walds
quillt der Friede, quillt die Fülle
jetzt und jenseits unsres Alls.

Christina Egan © 2015

Shallow sandy beach and blue sea water filling lower half of picture, sky-blue sky with a few clouds above. Exudes tranquillity.

Now and Beyond

In the stillness, in the light,
where the candle blossoms bright
or where wave flows after wave,
cloud on cloud and breeze on breeze,

in the stillness, in the cave
of the vault or wooded pond
flows the fullness, flows the peace
of the now and the beyond.

Christina Egan © 2015


In the Hebrew bible, ‘peace’ (‘shalom’) is defined ex positivo, as it should be, not ex negativo: it means abundance and fulfilment, not absence of war or conflict.

Similarly, in the Christian tradition, ‘quiet’, ‘silence’, ‘solitude’ often imply awareness, peace of mind, presence of God, rather than absence of sound or lack of company.

Photograph: Beach of Wyk on Föhr, Germany. Christina Egan © 2014.

Ripples of People

Ripples of People
(Spring Equinox)

*

Ripples of people,
uneven waves, sudden whirls,
fast currents of cars:
a wayward river within
a canyon of grand buildings.

*

These neat white windows,
row upon row, road after road,
a thousand eyes
trying to catch light, praying
to touch the feeble sunset.

*

Christina Egan © 2013

Busy junction in the dusk, with red and yellow lamps of cars and buses glaring.

These tanka were written in Knightsbridge, London,
in the last days of March — after equinox! —
when after months of dull and dark skies,
you may still be desperate for light and warmth.
For similar poems in German, see Alles drängt vorwärts.

Photograph: Deptford Broadway, London.
Michael Oakes © 2016