War and Peace (Red Fog / Green Shoots)

War and Peace

I.

Red Fog

Red fog rose
from the bloody river
when Baghdad’s proud walls
crumbled to dust.

The sobbing, the gasping
rose with the fog,
scratched the blank sky
till it wept blood.

High soared the blinking blades,
higher the cries of triumph,
down on the broken timber,
the toys forlorn in the ash.

Red ran the Tigris,
bearing pots and books and bodies
down through the desert,
frayed crimson silk.

Decorative brick with symmetrical floral motiv, deeply incised.

II.

Green Shoots

Green shoots, vibrant,
blue buds, brilliant,
climbing the trellis
of ten thousand tiles.

The tall white walls,
the wide white courtyards,
the shimmering basins:
those were the flags of peace.

Not the carpets of ash
which the conquest leaves,
nor the polished parchment
where the truce is signed.

Peace is the pomegranate
in the smooth wooden bowl,
peace is the spinning-top
on the deep-green glaze.

Christina Egan © 2003 (I) / © 2018 (II)

These poems were inspired by the massacre of 1248 when the Mongols took Baghdad, but they can be applied to any war Mesopotamia has seen in the course of the millennia, or indeed to any other part of the world…

Brick from Baghdad, mid-13 century. Photograph: Los Angeles County Museum of Art.

Toys / Baskets / Bowls

Toys

I
scanned
the
scattered shapes
heaped around me and picked out
the flowers and fresh fruits and fleeting clouds filled
with sun and added some slanted squares of marble and slate and
trunks of birch-trees and fashioned my finds into this
spinning-top. Just don’t ask what
it means. It’s a toy
I made for
you !

***

Baskets

The most delicately plaited words
still awkward, thick like things.
Bent over pads of paper,
the poet labours, late,
dexterous, impotent
to convey music,
silence…
peace.

Christina Egan © 2012


Roman_bowl_01_MusLon

Bowls

Like bowls of ordinary wood,
robust, adept, like workers’ tools,
these hands seem empty. Yet they are
filled to the brim, invisibly:
with jewel-like ideas the one,
the other with tranquillity.

Christina Egan © 2012

Roman bowl. Photograph from the
website of the
Museum of London.

This is the Suburb

This is the Suburb

The houses lined up like birthday cakes:
brick cubes covered in cream-coloured paint,
brick cubes covered in brick-coloured paint,
giraffe-neck chimneys as quaint decorations.

The gardens stretching like flower-boxes,
each bush in blossom a witness to life,
the trees at the corners picked from a toy box,
perfectly round and perfectly green.

This is the suburb. If only you saw it
the very first time, descended from Mars,
flown in from the desert, arrived from abroad,
you’d clap your hands in wonder and joy!

Christina Egan © 2017

Front gardens with brick walls, flower pots, rose tree.

Photograph: Christina Egan © 2013.

England’s endless rows of terraced homes and front gardens, the brick walls and painted ledges and long chimneys — insignificant or actually invisible to their inhabitants beg to be photographed by the strolling visitor or newcomer.

The all-year-round greenery and the abundant flowers in England — even around the giant capital city — will amaze those whose home countries are hotter and drier or else colder and harsher, or whose cities have less green and more stone.

I have read that an immigrant from Bangladesh asked herself if English people are poor because many did not paint their brick houses! I have heard of other Central Europeans who, like myself, took the spring flowers in front of public buildings for artificial ones!