Magical Chimes

Magical Chimes

A silver box with coral lid,
the wintry summer palace glows
atop the steep and even hill.

The pleasure ponds are frozen still;
a thousand windows in neat rows
blink one by one and drink their fill.

A haze hangs in the copse of firs
and birdsong floats, a silver web…
Among the shades, a buzzard stirs.

The clockface on the tower shows
ten in the morning; then it throws
its golden chimes into the wind

like golden coins! The treasure rolls
across the grounds, down to the walls,
across the fields, down to the mill,

where in the yard, a cockerel crows –
as if the land were now awake,
as if today the ice might break.

Christina Egan ©2017


This poem was inspired by walks through the grounds of 18th century palace Schloss Fasanerie, (Eichenzell near Fulda, Germany), which are freely accessible to the public.

One of my best German poems, Aprilabend (Der Tag ist hoch), describes the view across the highlands from there.

You will find another clock tower at Himmelblaue Uhr (Tottenham)  and May Haiku (Bruce Castle); the latter post is in English.

Der Nebel hebt sich

Der Nebel hebt sich

(Schloß Fasanerie bei Fulda)

Der Nebel hebt sich,
und der Rauhreif auf den Weiden,
feine Spitze, glitzert auf.

Aus dichten Fichtenschirmen sprühn
kapellenglockenhelle
Stimmen ohne Zahl.

Ein Vöglein folgt, dort oben, sieh,
mit dunklen Flügeln, gelber Brust,
ein Sonnenstrahl!

Ein niedrer Wolkenstreif muß weichen,
und der bleiche Mond, des Dunkels Geist,
desgleichen.

Der ausgelaugte Himmel blaut,
der federnd-feste Boden taut,
gurgelt und gärt…

Noch wehrt der Winter sich,–
bezwungen ist er schon.
Die Erde atmet wieder tiefer…

Und wer nur auf den Hügel steigt
und schaut und hört und spürt,
kriegt neue Kraft und Lust!

Christina Egan © 2017

A new poetic form: three lines in each stanza, with irregular lenght and irregular rhymes — but each stanza having ten stressed syllables, with one unstressed syllable in between, making the flow of the language regular, natural and musical at the same time!

The poem was written on February 14th. The Rhön mountains have a harsh climate with long winters characterised by cold and snow and fog. All the more is spring welcome, even the early signs of it…