Still Here (Still striding)

Still Here

Still here:
still striding into the drizzle
across the buzzing roads
and straight across the green
with my hair getting frizzy
and my eyes getting dazzled
by the purple orbs
on the tale pale thistles

Still off-screen:
mounting the white cliff
of the sky-scraper
with my own eyes
still off-air
echoing the whistle
of the lime-green parrot
with my own voice
still off-map
facing the buffets
of the wilful winds
with my own face

Still no gloss
on top of the gloss
still no sheen
on top of the cream
upon the click of a button
the command of a machine

Still here:
still pounding
the moistened pavement
with my own feet
still brushing
the sparkling bush
with my own hands
still whispering
some half-rhymed lines
with my own lips

Christina Egan ©2023

Abstract painting of bright squares and rectangles in blue, green, orange, and yellow tones.
Paul Klee: Polyphony (1932). Kunstmuseum Basel.

free-range (mails and messages)

Same text again, set as if written by a typewriter and framed as if forming a computer screen.

free-range


mails and messages and more moving across the screen with
flashing offers and tickers with freshly baked news and
more mails and messages from fresh friends and flickering
fake facts and friends’ fake faces and fake friends’ faces
and updated offers with mute music and lyrics of true love
for globalised consumers and certified free-range chickens
in the multiple-award multilateral information gain game
and upgraded offers of true love and reminders to join in
the flash mob on times square please click here to request
your rights and download the rest of the revolution now


Christina Egan ©2017

das dritte bild

das dritte bild

dein foto ist der neugier aller welt
auf einem internetplatz ausgestellt:
man sieht den hut, viel haar und auch gesicht,
die augenlider, doch die augen nicht.

verschlossen steht und abseits tief in mir
ein anderes, ganz altes bild von dir:
ein überscharfes leuchtendes profil,
als ob’s aus einem traum zersplitternd fiel.

noch in der zukunft liegt das dritte bild,
das meinen wilden durst nach leben stillt:
ich sehe, wie du leuchtest, weil du lebst,
wenn du dich wendest und die augen hebst.

Christina Egan © 2011


 

The narrator adores a man or woman of whom he or she has gathered only a few impressions: mainly a distant memory and an online photo. These two are the past and the present; the future consists only of imagined images.