Curling Up

Curling Up

I’m curling up
against the cold
against the world

its random roar
its lazy contempt
its glacial loneliness

Buds and fresh leaves on top of shoots above a parkI’m curling up
with the sky in my mind
and the sun in my heart

around a seed
already unfurling
and then: uncurling

Christina Egan © 2014

 

I am at Home in the Darkness

I.

I am at home in the darkness.
At least, dreams shine more brightly here,
lanterns among phantoms,
gold grains in the drifting sand.

Only my dreams
are real,
are true.

II.Passionflower with bee, colours inverted to create psychedelic purple structure.

All those who wish to die
crave for life, life, lost
in this cavern of wandering shades,
crazed by the thirst for a garden.

Only those who wish to die
are aware,
are alive.

Christina Egan © 2014

Photographs: Christina Egan © 2014 / 2016.


I assume that very, very often when someone feels they want to die or are about to die, they are simply physically unwell — or simply overtired — or simply literally in the dark. If this insight informed our science and our society, we could manage our lives so much better.

The date these three poems were written is significant: it was mid-February, which is when I (like everyone in the northern hemisphere) feels the dark and cold most bitterly, because halfway between winter solstice and spring equinox, the various reserves of our bodies are dangerously low. From late February on, things get better, and this is not a mental phenomenon (little flowers can, after all, not cure leaden fatigue) but a physical fact.

Acherons Mund

Acherons Mund
(São Miguel, Azoren)

Das Inselreich spricht
in zitterndem Licht,
in zischenden Quellen,
in schwefligen Schwaden,
in schlaflosem Raunen
aus rissigem Grund
am Unterweltsschlund.

Vast surface of rough black rock to the left, gleaming pools of water and steam rising up to the right, mountains in the far background.Das Erdreich bestellt
am Rande der Welt
dem arglosen Wandrer
die Botschaft der Flammen,
die Mahnung der Schatten
aus Phlegetons und
aus Acherons Mund.

Christina Egan © 2016

Hot springs in Furnas, Sao Miguel Island, Azores.
Photograph
by Henryk Kotowski via Wikimedia.

Acheron is the River of Pain and Phlegeton the River of Fire around Hades.

I believe that some Greeks or Phoenicians sailed to the Canary Islands and others may have reached the Azores; this might have influenced their mythology, describing the realms of the dead as a cave of shadows and as a blissful archipelago. More of the latter at Sonett der drei Seen!

Dem Herausgeber des “Echtermeyer”

Dem Herausgeber des “Echtermeyer”

Du sammeltest leuchtende Lieder,
den mannigfaltigsten Strauß,
du trugst vom Parnassus hernieder
Gedichte in jedermanns Haus.
Verklungen ist längst deine Stimme,
im Schattenreich deine Gestalt,–
doch fesselst du unsere Sinne
durch eherner Worte Gewalt.

Christina Egan © 2015


Vixi, et, quem dederat cursum fortuna, peregi;
et nunc magna mei sub terras ibit imago.

Virgil, Aeneis IV, 653–654 


The name of this writer, Ernst Theodor Echtermeyer (1805-1844), became proverbial for a standard anthology of German poetry. It went through many mutations, and the latest editions are officially titled “The Echtermeyer”. Without this book, I would not be what I am!

We know little about Theodor’s life, but I have tried to imagine two key moments in his life: when he understands he is in love and decides to marry; and when he understands he is so ill that he must die soon. Theodor an Emilien  is written in the first person singular in 19th-century German.

Proteus / Daedalus

Proteus

Your beauty is the beauty of the clouds:
as grand and graceful, as remote,
from silver changing into gold,
and changing shape, and changing whereabouts.

Your beauty is the one of Proteus:
I’m bound to watch it swirl and stay,
afraid your heart will likewise sway,
innocuous and gay and treacherous.

Your beauty is the one of Morpheus:
I’m bound to drink it in a dream,
afraid of stumbling on that stream,
with ghostly flowers studded, murderous.

Your beauty is the beauty of the clouds.
your ever-present smile the gleam
behind their soft and tousled seam…
Your soul is what your face reveals and shrouds.

Christina Egan © 2012

Daedalus

I watch the condor pass:
lofty and lonely,
steady and strong,
improbable like Daedalus…

I watch the condor pass
and want to follow him
across the barren peaks –
I want to touch the clouds…

Christina Egan © 2012