vermächtnis

vermächtnis

und wieder dünen. wieder hohes gras.
und meer und himmel hier mit urgewalt.
und wieder du in deiner wohlgestalt.
und mein verlangen sanft und ohne maß.

ich tauch in deine lichten augen ein…
das meer entweicht. es war nur wellenschaum.
der tag verbleicht. du warst ein sommertraum.
ich bin allein am strand. ich bin allein.

wie mars in seinem kupferfarbnen glanz
entsteigt dem wall des kiefernwalds dein bild.
die brandung klopft. und klopft. der boden quillt.
ich kröne dich mit meiner verse kranz.

Christina Egan © 2015

Golden dune, green grass and shrubs, deep-blue sky.

 

This is my poem of the year 2015! It is, as the title states, my Bequest.

Like many other poems, it was inspired by a holiday on the Darss.

 

“Dune in Nature reserve Darßer Ort, Baltic Sea”. Photograph: Andreas Tille via Wikimedia Commons.

A Faint Rainbow (Christmas Card)

A Faint Rainbow
(Christmas Card)

A faint rainbow maybe,
draped across a frozen market,
a filigree tree in the foreground,Old Dutch painting: lively scene of skaters between barren trees, steep gables and a pink manor house
some leisurely loops of skaters,
cloaked figures arranged like mute music –
that’ll do for a Christmas poem.

Good that my second-hand thoughts
and my second-rate verse
are still better than any in town
and almost as good as mulled wine…
And good that my real-life love
turns every single day into Christmas!

Christina Egan © 2012

These lines were inspired by this round painting :
A Winter Scene with Skaters near a Castle, ca. 1608-09,
by Hendrick Avercamp. — © National Gallery, London

November (Im dunkelblauen Nebel)

November

Im dunkelblauen Nebel liegen
gelöst mein Haus und Park.
Mein Herz hat einen Traum erstiegen
und hebt sich still und stark.

Der Herbst hat Gold um Gold gewonnen
mit schmerzloser Gewalt.
Das Mondlicht ist für mich geronnen
zu lieblicher Gestalt.

Christina Egan © 2010

This must be one of the happiest late-autumn poems ever:
exuding peace, evoking beauty, steeped in blue and gold!

I Love You

I Love You

I love you for your love for me,
I love you for your loveliness,
I love you anyway.
I love you more than all the world,
I love you more from day to day,
and more than words can say.

Christina Egan © 1998

At my own wedding, I read this poem
and the unrelated poem Ich liebe dich by 
 Adelheid Bienmüller. Also see my poem 
Ich liebe dich.

On the Volcano’s Rim

On the Volcano’s Rim

Goldstaub
(Lanzarote)

Hoher blauer Himmel,
weißer Wolkenflug,
ungestüme Winde,
rascher Schattenzug

über rote Halden,
über graue Höhn,
über grüne Matten,
wo schon Sterne stehn:

abertausend Blüten
wie ein Frühlingslied,
Goldstaub, den die Sonne
aus dem Erdreich zieht!

Christina Egan © 2015

Gold Dust
(Lanzarote)

Blue sky, ever higher,
white clouds in full flight,
winds wilful and forceful,
swift change of the light

across the red boulders,
across the grey height,
across the green lichen,
where stars tremble bright:

a flourish of flowers
and spring in a splash,
the gold dust the sun
can draw out of the ash!

Christina Egan © 2015

Dreaming Dragon
(Lanzarote)

Dew-drops sparkling in all colours
on the mighty coal-black craggy
shoulder of a dreaming dragon:
so these tiny tender flowers
perch on the volcano’s terrace –
fire, earth and wind distilled
to a dainty dotted quilt.

Ceaseless gales and sleepless fire,
ashes fed with salty dew –
ocean and volcano brew
flora’s early, lacy layer,
magic carpet in the air,
in the boundless brown and blue…
Dreams are real. Dreams come true.

Christina Egan © 2015

The Hoard
(Lanzarote)

As the mountain bears the flower,
as the giant holds the gem,
so the hour bears my poem:
purple speck on silver stem.

Where a myriad wild flowers
sprout behind the dry-stone wall,
I must gather all my powers
till the heavens hear my call.

Christina Egan © 2015

Valentine on the Volcano
(Lanzarote)

We dance on the volcano’s rim –
although its low and sunken side,
although extinct for centuries –
tossed partly by the wild wind’s whim
and partly drunk with liquid life –
suspended over sky-blue seas!
(I found my love above Teguise!)

Christina Egan © 2015

Plain and mountain range with very dark surfaces, rosy clouds in sky

The little volcano. Photograph: Christina Egan © 2015

These lines all sprang from one of the greatest experiences of my life: climbing a little volcano on the isle of Lanzarote, about which you can find a poetic description in German and English at Isle of Bliss / Insel der Seligkeit.

Gold Dust and The Hoard could equally be set in my native Rhön Mountains, also of volcanic origin, but very far inland and much greener.

The three poems in English only may work quite well in an automatic translator. The first two poems are translations of each other, or rather, parallel creations in German and English, where rhythm and rhyme required some changes in wording. It is better to do it this way, since the message is partly conveyed by rhythm and rhyme!

You could leave out the line in brackets to use the poem for a Valentine’s or anniversary card. Copy that line, though, into your list of places to see — both little towns, Teguise and Costa Teguise, because one has got the history and the other one the beach!

This handful of poems almost sums up my work: they describe plants and mountains and the sea; they refer to most basic colours; conclude with thoughts on art and religion and love; and use the beauty of language to capture the beauty of the world.

Epithalamium (A Hundred Snowflakes)

Epithalamium

A hundred snowflakes melting in your hair,
and every one a different ornament;
a hundred swallows weaving in the air,
each on its own encrypted message bent;
a thousand roses, beauty pure and bare,
each goblet filled with subtly varied scent;
a thousand leaves consumed in festive flare,
each spelling out its special testament…
So how much more are you – a human face –
unheard-of and unequalled in your blend?
I chose you from a thousand for your grace,
fulfilling and surpassing what I dreamt.
So by your side I take today my place,
while unnamed blessings blossom and descend.

Christina Egan © 2014

An epithalamium is a wedding song; a Continental sonnet
has 8 + 6 lines. Here, the first eight lines present images
from the four seasons; the last six lines state that humans are
more complex and individual than any natural phenomenon.

Some German poems on the uniqueness of each person can be
found at
Einer von Millionen and Hieroglyphe.

ich liebe dich

ich liebe dich

ich liebe dich
ich suche dich
am apfelbaum
der geißblattbusch
umduftet mich
mit weiß und gold
ich liebe dich
ich finde dich
im fiebertraum
ein runder mond
verschwendet sich
verheißungsvoll
ich liebe dich

Christina Egan © 2015

These lines were inspired by my favourite poem ever,
the magical
Ich liebe dich by Adelheid Bienmüller, which
once struck me
 on a calendar. Unfortunately, I have not yet
found this poet and her poem on the world wide web!

Later, I translated these lines as I love you well (I look for you).

On Orange Sails / Yellow Balloon

On Orange Sails

On orange sails
across the ocean
of the sky,
towards the land
of lust and rest,
the butterfly
must toil and flail,
must drift and dream –
like you and I…
On orange sails
I still woo you,
my butterfly.


Christina Egan ©2014


Yellow Balloon

The matching dreams of you and me
are mellow streams of scented noon,
are yellow reams of solid silk,
to sew into a huge balloon
and blow it up with double breath
and fire it with blazing love
to sail across the heaving sky –
for us, the sea is not enough!


Christina Egan ©2014


There are more poems and a photograph at Orange Butterflies.
There is now also an anniversary poem about a Red Balloon!

Spiegelherz

Spiegelherz

Laß uns insgeheim die Spiegel tauschen,–
was soll ich mit einer schönen Frau?
Oder Haaren, die sich bronzen bauschen,
oder Augen von Spätabendblau?

Hast du dein Porträt in Hell und Dunkel
nicht genug geprüft ob seines Werts?
Ich bin an der Reihe, dein Gefunkel
aufzufangen als dein Spiegelherz.

Christina Egan © 2014

In these lines, a beautiful woman suggests to a fascinating man
swapping mirrors so that he can admire her instead of himself!
She also implies that her heart could be the mirror of his heart.

The tone is light-hearted, but the intention is serious. It is the title
of this poem, the made-up word ‘Mirror-Heart’, which lent its name
to the category of love poems on this website: ‘Mirror hearts’.

 

Gingerbread Man

Gingerbread Man

God made you of some gingerbread
which over time intensifies:
so that with every year, your breath
will taste of hotter, sweeter spice!

Christina Egan © 2014

We Married on the Ferris-Wheel

Vienna quivered in the heat
for our furtive feast:
we married on the ferris-wheel
(we kissed on it, at least).

The palaces shone yellow-white
like lemon cakes with glaze:
we married in the royal grounds
(we kissed within a maze).

That summer rolled into a ball
and down the hill of time –
Vienna basks in splendour still,
my bridegroom still is mine!

Christina Egan © 2014

String of Pearls

Your presence makes this globe that whirls
the best of all existing worlds —
your kisses make this blob a pearl
from which a string of worlds unfurls!

Christina Egan © 2015

Asteroid

He inhabits his own tiny planet,
a fragment of rock, you might say;
his orbit seems steep and erratic
and often immensely away.

Yet, what you can’t see from your garret
nor find in your smart telescopes:
it’s two of them snug on that comet
that’s studded with roses and oaks.

Christina Egan © 2010