Children of the sun and moon

Children of the sun and moon

When we drift through ink-blue dusk
under the twigs of moon-white blossom,
under the crystal orbs of street-lamps,
under the shadeless signals of neon,

when we slide across concrete squares
and sail around sharp and rounded corners,
restless and vigorous, at home in the dark,
at home in the city, nocturnal birds,

we know deep down that we are still
children of the sun and moon:
the sun must rise in our eyes,
the moon must rise in our brain;

we must admit that we are still
children of the earth and sky:
the spring must rise in our bones,
the stars must rise in our veins.

Christina Egan © 2016

Window Seat

Window Seat

You beat me to the window seat,
Silhouette of man against tall window with curtains.the secret poets’ nest;
you watched the broad and busy street,
a highway on your quest.

You beat me to the poets’ prize,
without a rhyme or form:
you saw the faces floating by
in the approaching storm,

you caught the litter and the leaves,
the puddles and the birds
and strung them as bizarre bright beads
on your vibrating verse.

Christina Egan © 2019


The poem has its origin in a coffee bar in a busy high street in London. It was published in the Tottenham Community Press (print issue of December 2018).


The elusive poet in a window seat. Photograph: Christina Egan © 2017.

Osterglockenlied

Bundle of daffodils in front of a wooden fence in bright sunlight.Osterglockenlied

Was soll ich jene jauchzenden Narzissen,
die sich in zartesten Zitronentönen
und vollem Apfelsinenleuchten dehnen,
die mehr als wir vom wahren Leben wissen,
mit meinen leisen Reimen nacherschaffen?
Um unauslöschlich nun sie zu entfachen:
in Flammen, die dem Blatt Papier entspringen
und Freude ringsherum zum Klingen bringen!

Christina Egan © 2015

 

Photograph: Christina Egan © 2017.

Curling Up

Curling Up

I’m curling up
against the cold
against the world

its random roar
its lazy contempt
its glacial loneliness

Buds and fresh leaves on top of shoots above a parkI’m curling up
with the sky in my mind
and the sun in my heart

around a seed
already unfurling
and then: uncurling

Christina Egan © 2014

 

I am at Home in the Darkness

I.

I am at home in the darkness.
At least, dreams shine more brightly here,
lanterns among phantoms,
gold grains in the drifting sand.

Only my dreams
are real,
are true.

II.Passionflower with bee, colours inverted to create psychedelic purple structure.

All those who wish to die
crave for life, life, lost
in this cavern of wandering shades,
crazed by the thirst for a garden.

Only those who wish to die
are aware,
are alive.

Christina Egan © 2014

Photographs: Christina Egan © 2014 / 2016.


I assume that very, very often when someone feels they want to die or are about to die, they are simply physically unwell — or simply overtired — or simply literally in the dark. If this insight informed our science and our society, we could manage our lives so much better.

The date these three poems were written is significant: it was mid-February, which is when I (like everyone in the northern hemisphere) feels the dark and cold most bitterly, because halfway between winter solstice and spring equinox, the various reserves of our bodies are dangerously low. From late February on, things get better, and this is not a mental phenomenon (little flowers can, after all, not cure leaden fatigue) but a physical fact.

Abendstern (Kaum erspäh ich)

Abendstern

Kaum erspäh ich dich von fern
meinen klaren Abendstern

schlägt mein Herz schon
Purzelbäume
schlägt mein Geist schon
Wurzelträume

in die dunkelblaue Nacht
in die späte Sommerpracht

Park in the dusk, with heart-shaped illuminated decoration, forming a frame around a spire in the distance.

 

Dein Gesicht ist mein Gestirn
an dem schwarzen Himmelsschirm

niemand hört die
Purzelbäume
niemand sieht die
Wurzelträume

unter meinem festen Schritt
unter meinem ruhigen Blick

Niemand weiß von jenem Punkt
der mir funkelt der mir funkt

von den kühnen
Purzelbäumen
von den bunten
Wurzelträumen

niemand weiß was mich bewegt
wenn die Glocke zwölfmal schlägt

Christina Egan © 2011

Valentine’s Day on Gozo, Malta.
Photograph: Christina Egan © 2018.

Die vierte Frucht

Die vierte Frucht

Vier Früchte blieben uns vom Paradiese
auf unsrer langen Wüstenwanderung,
auf daß durch sie die Kraft des Ursprungs fließe
in tausendfacher Anverwandelung:

Die Liebe lädt in saftigblauer Traube;
die Hoffnung duftet warm wie goldnes Brot;
in bittersüßem Grün neigt sich der Glaube;
die Freude aber lächelt sonnenrot.

Christina Egan © 2018

Für Sr. Caterina von der Freude in Gott

Oranges hanging from branches against blue sky

The four fruits of paradise, an idea I was inspired to by the three Christian chief virtues — faith, hope, love — to which I added joy, another gift or virtue promoted by the same stern author, St Paul. 

Rejoice in the Lord always: and again I say, Rejoice”.

Phil. 4,4

Love is envisaged as a blue or purple fruit, hope as a yellow one (or a loaf of bread), faith as a green fruit (possibly tasting bitter) and joy as a red or orange one… hopefully all sweet! The colours of the rainbow exist for our nourishment.

Photograph: Oranges in midwinter, in Morocco. Christina Egan © 2012.

am kalten kamin / Winter Sunset

am kalten kamin

die eingerahmten flammen
von süßer sonnenkraft
sinken in sich zusammen
in kalter mitternacht

das feuer das dich blendet
in wildem geisterglanz
hat sich zuletzt verschwendet
zu tode sich getanzt

eh noch der morgen graute
liegt ausgelaugt der herd
und über deinem haupte
hängt sichtbar nun das schwert

Christina Egan © 2017


Winter Sunset

If only I could fly
across the icy sky
into the dying sun,
so all my tears,
my wants and fears
and wanderings would be none.

If only I could fall
into the fiery ball
and warm and melt away,
and then be shot,
a sparkling dot,
into a new-born day.

Christina Egan © 2003


Image: No title. René Halkett (1938). Image with kind permission of Galerie Klaus Spermann.

The Eagle’s Outpost

The Eagle’s Outpost

Gently, I lay my hand upon a stone:
it snuggles up to my pulsating palm.
The last time it enjoyed the sun god’s balm,
he gilded nimble chariots of Rome,
and legionnaires patrolled the city walls
above the river of a thousand miles,
while olives, dates and spices glowed in piles
and glittering fabrics flowed from shaded stalls.
The halls were fashioned of a thousand stones;
so were the roads rolled out to many lands;
and all were laid by many thousand hands…
This eagle’s outpost held ten thousand souls –
A dream of dreams, lifted into the light:
I was in Dura Europos last night.

Christina Egan © 2018

Runis of fortress on hilltop in arid land, above wide river with green fields.

The ruins of Dura Europos above the Euphrates, today in Syria, in 2016.
Photograph
 by Marina Milella [CC BY-SA 4.0], via Wikimedia Commons.


 

After 500 poems, the usual poem about a Roman Road to start the year!

 

Die letzte Stunde dieses Jahres / Some Prayers


500 poems posted on this site !


 

Die letzte Stunde dieses Jahres

Die letzte Stunde dieses Jahres ,
ein runder Spiegel, wendet sich.
Der volle Mond, ein endlich klares
Signal, ganz hoch, verschwendet sich.
Ein glitzerndes, unabsehbares
Feuerwerkstanzen blendet dich,–
und etwas Wahres, Wunderbares
aus alter Zeit vollendet sich.

Christina Egan © 2017

Burning sparkler on black background, looking like a supernova!

Some Prayers are Like Lightning

Some prayers are like lightning
and others are like dawn,
some prayers are like sunset
and some perhaps like noon.

And saints and angels lift them
across the heavens’ dome
and lay them on the carpet
below the flaming throne.

And God will weigh and sift them
and send his answers down –
some veiled and some diverted,
some sooner, though, than soon.

Christina Egan © 2017


Photograph by Gabriel Pollard
[CC BY-SA 2.5]. Featured picture
on Wikimedia Commons.

Hochglanzfotos / glossy faces

Hochglanzfotos

Hochglanzfotos
von den letzten Hopi-Indianern
Hochglanzfenster
auf die Skyline der Zukunft
Hochglanzgesichter
ohne einen Schatten von Tod

das glitzernde Fest
über dem Abgrund
ist noch nicht ausverkauft

Christina Egan © 1990


glossy faces

glossy faces
framed by paper
framed by screens
framed by windows

painted faces
painted bodies
images of desires
images of images

sculpted and painted
masks and totems
with unseeing eyes
swarming around me

a mass of masks
each one an island
drifting in an ocean
of mute music

of flashing messages
clashing messages
fake facts
fake names

glossy faces
perfected
imperishable
and just so happy!

Christina Egan © 2018


While the second poem comes from a world of mobile devices and social media, the first one was written in 1989 or 1990, when computers (personal computers) where gradually being introduced and the internet (worldwide web) was only being invented. I must have been thinking of television and cinema, magazines and newspapers, posters perhaps or record covers…