A New Poem is Being Born
There is an empty space on greyish paper:
to fill with fire from a rocky scar
and with fresh ashes on a ghostly glacier,
to fix a brilliant moon and matching star.
Christina Egan ©2024
Ein neues Gedicht wird geboren
Die graue Leere des Papiers erfüllt
das Feuer, das aus Felsennarbe quilt,
der Aschenfall auf geisterhaftem Firn,
der Mond mit funkelndem Begleitgestirn.
Christina Egan ©2024
Hinter dem Olivenbaum
Noch hemmen Frost und Nebel allzulang
den bunten Garten,
und fast verstummt der volle Vogelsang,–
noch muß ich warten.
Im Süden werd’ ich keinen Schnee mehr sehn,
bloß weiße Rosen,
die meine Lippen, wenn sie mannshoch stehn,
verstohlen kosen.
Einst wird mir hinter dem Olivenbaum
Oleander prangen,
und Blumenfluten streifen wie ein Saum
die warmen Wangen…
Christina Egan © 2017
The woman or man surrounded by frost, fog, and snow dreams of a future where she or he will kiss white roses and be caressed by oleander… The encounter with the plants is envisaged like an assignation behind a tree, an olive-tree as a symbol of the Mediterranean region.
Photograph: Christina Egan ©2017.
The Komodo Dragons
The roots of the forest are trembling,
the branches are frosted with fear.
The jeeps and the tanks are assembling.
The komodo dragons are near.
Their skin’s like the ice on the river,
they graze and they raze all that breathes.
The roofs of the cottages shiver.
The earth has gone silent. She grieves.
The earth has lost too many children
before the full moon could return.
The komodo dragons are grinning.
The roofs of the cottages burn.
The stable aflame and the steeple –
the ice on the river now thaws.
This is not the war of the people.
This is the triumph of the jaws.
Christina Egan ©2022
This poem was published (as The Comodo Dragons) in the Haringey Community Press (circulation 15,000) in May 2022.
Komodo dragons got their name because they appear to be mythical creatures, but are real animals, huge lizards which can devour their prey almost without trace.
Two years ago today, the Ukraine was brutally attacked by the military machinery of another country.
When we fear with and grieve with the Ukraine, there are always echos of the Second World War, the First World War, and other wars. My verse is influenced by the famous sonnet Andreas Gryphius wrote in the midst of the Thirty Years’ War, Thrähnen des Vaterlandes / Anno 1636 (Tears of the Fatherland).
Tepid Tides
Amongst the jungle on the isle’s edge
the tepid tides have carved a golden heart
of salt
and rock –
Just so, your voice’s limpid surf has etched
into my soul a secret golden mark
so – drop –
by drop –
Christina Egan ©2023
***
A poem for
Valentine’s Day!
It sounds like a very long relationship…
Inspired by a postcard of a heart-shaped island.
Regenbogenbotschaft
Innen leuchtet rot die Liebe,
dann orangerot die Kraft,
sonnengelb die Heiterkeit,
Hoffnung schimmert erdengrün,
meeresblau verströmt sich Friede,
Weisheit wölbt sich indigo,
Glaube krönt sie violett:
Regenbogen will uns blühn,
will uns eine Zukunft weisen
und die Ewigkeit verheißen!
Schon verhangen, schon vergangen,
doch die Seele bebt noch froh…
Christina Egan ©2020
This poem, Rainbow Message, is spiritual but not bound to a certain religion. I hope it radiates serenity and confidence, as the rainbow does.
It is published in the calendar, Münsterschwarzacher Bildkalender 2024 (circulation 80.000) with the photo above. (Photograph: Albrecht Fietz via Pixabay.)
For verse from a colourless winter world, see the recent post, A Speck in the Dark, where a few flashes of colour and light provide the magic of beauty and hope.
dream laundry
fast cars smart cars
fast food slow food
fast luck long luck
you can buy anything
the smiling people
the gliding people
the glossy people
on the posters prove it
you can buy their sofa
you can buy their surfboard
you can buy their smartphone
and relax indefinitely
you can buy their dreams
you can buy their memories
and your own memories
like tinned meat
boots on the beach
music on the pillow
pills for your babies
subscribe to well-being
everything is for sale
everything is on sale
every offer must end
but there is no end of offers
look here click here
see more do more
book now pay later
life is a cake
grab a coffee
grab a seat
snatch a date
download a dream
Christina Egan ©2019
This poem is also published in a local paper today, in print and online: Haringey Community Press, February 2024 (circulation 15,000).
The title is taken from Ingeborg Bachmann’s poem Reklame (1956), where she coins the word “Traumwäscherei” (dream laundry, laundry of dreams or through dreams?). The omnipresent publicity and cheerful music soothe your worries and questions – until they stop and leave you in “Totenstille” (deadly silence, or silence of the dead?).
The idea of downloading memories and dreams comes from science-fiction such as Ridley Scott’s movie Blade Runner (1982), M. T. Anderson’s novel Feed (2002), and Kazuo Ishiguro’s novel Klara and the Sun (2021). All three are superb and thoroughly disquieting.
The line “boots on the beach” comes from a particularly stupid – and sexist – video advertising hard drink by showing a young woman in a very scanty dress and very heavy boots. It played on a loop on several screens in a railway station so that there was no escape from it.
The line “music on the pillow” is inspired by Ray Bradbury’s novel Fahrenheit 451 (1953), where he predicts ceaseless entertainment broadcast onto our walls, even inviting participation, and into our ears, continuing into our sleep. The result is isolation and despair.
A Speck in the Dark
Grey buildings, grey branches,
black streets in the rain…
Dark coats and pale faces,
white sky yet again.
Drained off is the rainbow:
there’s shade and there’s rust.
Smudged world in the window,
and noon feels like dusk.
There: sunrise is flashing,
an orange-red spark,
with sky-blue unfolding –
a speck in the dark!
The bluebird’s alighting
on quivering twigs;
the buds were awaiting
a signal like this!
The bluebird is glowing,
alive and alert,
and colours are brewing
in heaven and earth.
Christina Egan ©2018
A January poem from a northern part of Europe… The bluebird does not live here, but it got into the poem because its feathers are of a luminous orange and blue like the sun and the sky!
Nachruf auf einen Gärtner
Abertausend goldne Nüsse
trug der weite Walnussbaum,
warf sie kraftvoll und gelassen
an den Schuppen, an den Zaun.
Abertausend süße Bissen
brachte er aus sich hervor,
zu bescheiden, um zu wissen,
was die Welt an ihm verlor.
Christina Egan ©2020
This poem was written for my uncle, who was a professional and passionate gardener.
It is published in the calendar, Münsterschwarzacher Bildkalender 2024 (circulation 80,000) with the photo above.
Still Here
Still here:
still striding into the drizzle
across the buzzing roads
and straight across the green
with my hair getting frizzy
and my eyes getting dazzled
by the purple orbs
on the tale pale thistles
Still off-screen:
mounting the white cliff
of the sky-scraper
with my own eyes
still off-air
echoing the whistle
of the lime-green parrot
with my own voice
still off-map
facing the buffets
of the wilful winds
with my own face
Still no gloss
on top of the gloss
still no sheen
on top of the cream
upon the click of a button
the command of a machine
Still here:
still pounding
the moistened pavement
with my own feet
still brushing
the sparkling bush
with my own hands
still whispering
some half-rhymed lines
with my own lips
Christina Egan ©2023
For my birthday, I am posting some recent verse, which came to me during an enjoyable walk on a dull summer’s day.
I still live largely without social media, and I have still never had a smartphone, nor a motorised vehicle.
I still try to live an authentic life: walking for miles and travelling overland, reading plenty of print and writing letters by hand, growing my herbs and cooking from scratch…
Im Herzen von Köln (St. Andreas)
Vorm Fenster herrscht
der alte Dom
und unterm Fuß
das alte Rom.
Minutentakt
Der Boden bebt,
die U-Bahn pulst,
die Erde lebt.
Die Straße dröhnt,
die Weltstadt wacht,
der Domplatz zittert
Tag und Nacht.
Der Baulärm grellt,
das Blaulicht greint,
die Flöte lockt,
die Geige weint.
Die Orgel jauchzt,
die Glocke braust,
die Stille ruft,
die Stille rauscht.
Am Kreuz hängt einer
ganz allein
und will das Herz
der Erde sein.
Die heilge Stadt
lebt noch aus ihm.
Sie weiß es kaum;
er gibt sich hin.
Minutentakt:
Der Tunnel braust,
der Erdschlund grollt,
die U-Bahn saust.
O Einsamkeiten –
Mein Herz brennt.
O eigne Sehnsucht –
Mein Herz rennt.
Doch Ruhe ist ja
nur in Ihm…
So knie ich nieder:
Nimm mich hin.
Christina Egan ©1992
The first poem of the year takes place in Roman streets again, in the midst of Cologne, in Sankt Andreas, the mighty mediaeval church right opposite the Cathedral. When you descend into the crypt, you are pretty close to antiquity. All around, Roman walls are displayed, or simply still standing.
For an English poem about Cologne with a similar content and in a similar style, see My City Calls (Grey Roofs Grey Walls). There, it is the city itself which provides comfort and hope, as religious faith does here. I noticed the striking parallel only yesterday on relaunching my poetry blog!
Christina Egan 