Die letzte Stunde dieses Jahres / Some Prayers


500 poems posted on this site !


 

Die letzte Stunde dieses Jahres

Die letzte Stunde dieses Jahres ,
ein runder Spiegel, wendet sich.
Der volle Mond, ein endlich klares
Signal, ganz hoch, verschwendet sich.
Ein glitzerndes, unabsehbares
Feuerwerkstanzen blendet dich,–
und etwas Wahres, Wunderbares
aus alter Zeit vollendet sich.

Christina Egan © 2017

Burning sparkler on black background, looking like a supernova!

Some Prayers are Like Lightning

Some prayers are like lightning
and others are like dawn,
some prayers are like sunset
and some perhaps like noon.

And saints and angels lift them
across the heavens’ dome
and lay them on the carpet
below the flaming throne.

And God will weigh and sift them
and send his answers down –
some veiled and some diverted,
some sooner, though, than soon.

Christina Egan © 2017


Photograph by Gabriel Pollard
[CC BY-SA 2.5]. Featured picture
on Wikimedia Commons.

Hochglanzfotos / glossy faces

Hochglanzfotos

Hochglanzfotos
von den letzten Hopi-Indianern
Hochglanzfenster
auf die Skyline der Zukunft
Hochglanzgesichter
ohne einen Schatten von Tod

das glitzernde Fest
über dem Abgrund
ist noch nicht ausverkauft

Christina Egan © 1990


glossy faces

glossy faces
framed by paper
framed by screens
framed by windows

painted faces
painted bodies
images of desires
images of images

sculpted and painted
masks and totems
with unseeing eyes
swarming around me

a mass of masks
each one an island
drifting in an ocean
of mute music

of flashing messages
clashing messages
fake facts
fake names

glossy faces
perfected
imperishable
and just so happy!

Christina Egan © 2018


While the second poem comes from a world of mobile devices and social media, the first one was written in 1989 or 1990, when computers (personal computers) where gradually being introduced and the internet (worldwide web) was only being invented. I must have been thinking of television and cinema, magazines and newspapers, posters perhaps or record covers…

This is the End (Yet all will be well)

This is the End

Most days are too harsh, and most days are too dark,
and most hours are trundling along through a void,
while the moons fade away, barely leaving a ray,
and proud cities, piled up to the clouds, are destroyed.

Yet all will be well, yes, it yet will be well,
and all manner of things will be well in the end,
when in fathomless bliss like a fathomless kiss
all the stars, all the spirits will brighten and blend.

Christina Egan © 2004


Lines five and six are a quote from Sister Julian of Norwich,
an English hermit and mystic who lived six hundred years ago.

In Advent, which this year starts today, Christians also think of
the inevitable and terrifying end of the world.

Massive stone walls piled upon each other

The Tower of Jericho, around 9,000 years old. Photograph:
Reinhard Dietrich (Own work), via Wikimedia Commons
.

Captivity

I.

looking through the lofty glass door
I feel the faint sun on my forehead

I press my hands against the glaze of ice
I grasp the slender handle to crack it

I must lean out of it
I must step out of it

into the sparkling garden below me
into the buzzing street beyond it

I must follow the clouds to the edge of the land
I must follow the winds to the edge of the earth

 

II.

Iron railing in brick wall, like a gate without lock, with view onto green riverbank.tomorrow I will open my eyes
as if I saw the sun for the first time

tomorrow I will get up and go
as if my steps were guided and guarded

I will step out of my mind
into someone else’s mind

I will step out of my eyes
into someone else’s eyes

then I shall touch beauty
then I shall taste life

 

III.

Heavy rusty gate, decorated with swirls, with keys in lock.the summer was short
and long was the winter

I witnessed neither
I looked upon bricks

that was when I realised
how glaring lamps are and how bland

how pages are made of paper
and screens stay stubbornly flat

that was when I faded
from a flag to a shadow

I chewed on the bare bread of hope
turning sweet on my tongue

Christina Egan © 2012

Photographs: Christina Egan © 2018 / 2014.

Grand Canyon Psalm


Grand Canyon Psalm

I.

Nothing prepares you
for the heart of the world
lying open before you:
luminous layers
of rosy rock,
jagged and rounded,
leading down, down,
right into the earth.

In the silver silence
of night, you hear
how this heart beats:
it trembles and rumbles,
it nudges your bedstead,
unsettles your cottage,
reminds you of death
and life and the earth.

Undulating layers of pink and mauve rocks and peaks, with trees in the foreground.

II.

Nothing prepares you
for the ear of the world,
always wide open,
always upturned,
listening out
for the thud of the pine-cones,
the dance of the deer hooves,
the chant of the milky-way.

You have arrived
at the mouth of the world,
its voice of thunder,
its eloquent silence.
Here you stand, struck,
quiet at long last,
as tiny as an ant,
anointed like a king.

Christina Egan © 2018

 

A tiny fraction of the immense expanse of the Grand Canyon.
Photograph: Christina Egan © 2008.

Do Diamonds Die?

Do Diamonds Die?

Even diamonds die.
Empires erode,
battlements decay,
skyscrapers melt.

Not so what locks
your look into my look,
my heart into your heart.
Love will live.

With or without a night
or even a day,
a confession, a vow.
Love is born love.

Diamonds have grown for us,
as rare in the vast dark soil
as stars in the fathomless void.
Heaven does happen.

Christina Egan © 2004Engraving of hot-air balloon between layer of clouds and starred sky with moon.Illustration from a children’s book of 1896.
Image provided by British Library
through Flickr.

P.S.: Reader, he married me!  ;o)

Quiet Fire

Quiet Fire

In balmy darkness
I was floating
over sand and salt,
along the garland of lights,
below the curtain of stars…

One fell.
In a flash, I thought of
my distant beloved one,
in a flood, it came back,
the impossible future.

Decorative paper, black with ripples in grey, white, purple.He, too,
had come like a shooting-star,
fair, fast, in a sweeping curve,
with careless grace,
like a message from life.

Cold is the sea now and rough,
with dullness tainted the days
and the sparkling tent of the night.
The quiet fire has passed:
the face that mattered.

Around me is autumn,
and I know that spring will return
and my youth will not.
The voice that struck me is silent;
and my heart eats death.

Christina Egan © 2012

A memory of the Mediterranean Sea, where one can swim, and swim even in after dark, even into autumn…

Decorative paper. Image provided by British Library through Flickr.

Daedalus on the Battlements

Daedalus on the Battlements

You drag your baggage through the crowd,
and from the loud and glaring maze
you spill into the heavy haze
of autumn fog and stifling fumes,
into a tube you crawl through tubes,
into a bullet aimed at space –

You soar, you blink, anticipate
some mellow light, some subtle blues –
And then you float above the dunes
of salty sand, the plains of ice,
the shadow of a sheet of cloud –
You sail above the blazing skies!

Christina Egan © 2016


Another return to Greece with winter sunshine even before I arrived: a sunset above the clouds! — Daedalus escaped the labyrinth by flying from its walls; the flaming sun plays a key role in this myth. 

You may get the sense of this poem quite well in a translation software.

War and Peace (Red Fog / Green Shoots)

War and Peace

I.

Red Fog

Red fog rose
from the bloody river
when Baghdad’s proud walls
crumbled to dust.

The sobbing, the gasping
rose with the fog,
scratched the blank sky
till it wept blood.

High soared the blinking blades,
higher the cries of triumph,
down on the broken timber,
the toys forlorn in the ash.

Red ran the Tigris,
bearing pots and books and bodies
down through the desert,
frayed crimson silk.

Decorative brick with symmetrical floral motiv, deeply incised.

II.

Green Shoots

Green shoots, vibrant,
blue buds, brilliant,
climbing the trellis
of ten thousand tiles.

The tall white walls,
the wide white courtyards,
the shimmering basins:
those were the flags of peace.

Not the carpets of ash
which the conquest leaves,
nor the polished parchment
where the truce is signed.

Peace is the pomegranate
in the smooth wooden bowl,
peace is the spinning-top
on the deep-green glaze.

Christina Egan © 2003 (I) / © 2018 (II)

These poems were inspired by the massacre of 1248 when the Mongols took Baghdad, but they can be applied to any war Mesopotamia has seen in the course of the millennia, or indeed to any other part of the world…

Brick from Baghdad, mid-13 century. Photograph: Los Angeles County Museum of Art.

Brown Butterfly / Brauner Schmetterling

Brown Butterfly

 

Found, found on sandy ground:
bronze brooch from an unknown age,
bright map of an unknown land,
O quivering flower,
brown butterfly!
Where have you flown…?
Little butterfly,
your mirroring wings
are dust lifted up from the earth
and assembled to beauty of heaven.
Grace, grace beyond a name.

Bright admiral butterfly, maroon with 'eyes', on purple cone of flowers.

 Brauner Schmetterling

 

Gefunden auf sandigem Grund:
Bronzebrosche verlorener Zeiten,
bunte Karte ferner Gefilde.
Du erbebende Blume,
du bräunliche!
Wo flogst du hin…?
Schmetterling,
deine Spiegelbildflügel
sind Staub, der Erde enthoben,
gesammelt zu Himmelsschimmer.
Anmut, namenlose Anmut.

Huge tropical flower, orange and wide open, with human hand for comparison.

The shape of the poems — and their
colour — emulate those of a  butterfly.

English poem: Christina Egan © 2005. 
German poem: Christina Egan © 2017.
Photographs: Christina Egan © 2013.